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Recent news and coming events for the Architecture & Planning, Fine Arts and Music & Dance Libraries

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Thursday, May 03, 2012

Auckland Writers & Readers Festival 2012

Auckland Writers & Readers Festival 2012

The Auckland Writers & Readers Festival, on from the 9-13 May, includes the following arts related events. Note that all three artists (Colin McCahon, Graham Percy and Dick Frizzell) either studied or worked at the Elam School of Fine Arts.

McCAHON AND THE MICRONAUT
Martin Edmond and Gregory O'Brien will discuss the process involved in writing Dark Night: Walking with McCahon (Edmond, 2011) and A Micronaut in the Wide World: The Imaginative Life and Times of Graham Percy (O'Brien, 2012).
Date: Friday 11th May 2012
Time: 11:30 a.m. - 12:30 p.m.
Venue: ASB THEATRE, AOTEA CENTRE

IT'S ALL ABOUT THE IMAGE: DICK FRIZZELL
This event is the 'live version' of Frizzell's 2011 book of the same name.
Date: Sunday 13 May 2012
Time: 10:15 a.m. - 11:15 a.m.
Venue: AUCKLAND ART GALLERY AUDITORIUM
References:

  • Edmond, M. (2011). Dark night : walking with McCahon. Auckland, N.Z.: Auckland University Press.
  • Frizzell, D. (2011). It's all about the image. Auckland, N.Z.: Godwit/Random House New Zealand.
  • O'Brien, G. (2011). A micronaut in the wide world : the imaginative life and times of Graham Percy. Auckland, N.Z. : Auckland University Press, 2011.

Victoria Passau

Fine Arts Library

Tuesday, May 01, 2012

Beadle's decimal coins

Beadle's design for the 1 cent coin. Paul Beadle Archive (06-334, PB1). Elam Archive, Fine Arts Library. Copyright Jill Hetherington.

At a time when the University is doing an inventory of its cultural collections, it’s relevant to note that we are also the repository for many fascinating paper archives. One such is The Elam Archive, held at the Fine Arts Library, which contains the papers of Professor Paul Beadle, head of Elam from 1961-1977. Among his papers is a comprehensive collection of newspaper cuttings and correspondence on the debate surrounding the design of New Zealand’s coins, providing both an insight into the design process and the politics of this contentious competition. (Passau, 2012, p.28)

In celebration of Records and Archives Week (RAW), Ingenio has published "Beadle's decimal coins" (p.28) written by Victoria Passau, Client Services Librarian at the Fine Arts Library. This article explores Professor Paul Beadle's involvement in the 1964-1965 decimal coin design competition and can be read here.

Ingenio is The University of Auckland's official alumni magazine and is available in hardcopy and online. The Autumn issue also includes a staff profile of Janet Copsey, University Librarian (pp.24-25)

Reference:

Passau, V. (2012). History: Beadle’s decimal coins. Ingenio (Autumn), 28.

Fine Arts Library

Thursday, April 19, 2012

Niche Magazines at the Fine Arts Library

New York Correspondence School Weekly Breeder Autumn 1974

NEW YORK CORRESPONDENCE SCHOOL WEEKLY BREEDER
New York and San Francisco, 1971-1974.
Ken Friedman, Stu Horn, Tim Mancusi, and Bill Gaglione.

"The N. Y.C.s. Weekly Breeder was started by Ken Friedman in homage to Ray Johnson's New York Correspondence School as a single Xeroxed sheet of collaged newsclippings and short, Fluxus-inspired articles sent out weekly. Mail artist Stu Horn took over the magazine briefly, before passing it along to Tim Mancusi and Bill Gaglione in San Francisco, who expanded it into a "dadazine" for the Bay Area Dadaists and their mail art activities. They published seven issues in an edition of 200 copies, distributed for free, with contributors such as General Idea, Lowell Darling, Robert Cumming, Futzie Nutzle, Monte Cazazza, and Ray Johnson." (Allen, 2011, p. 279)

FILE v.6 no.3 1985

FILE
Toronto, 1972- 1989 (voI.1, no. 1-no. 28).
General Idea (AA Bronson, Felix Partz, and Jorge Zontal).

"FILE magazine-or megazine, as it was frequently called-was published by the Canadian collective General Idea. It served as a vehicle for the group's eclectic, evolving interests and activities, from the Canadian mail art scene to elaborate preparations for a campy "fake" beauty contest known as the 1984 Miss General Idea Pageant, to new wave and punk music. Appropriating Life magazine's red and white logo-an act of cultural piracy for which Time Inc. later threatened to sue-the magazine denaturalized dominant cultural categories of gender, class, beauty, and artistic production-and questioned the role of the media in upholding such categories." (Allen, 2011, p. 260)

Facsimile reprint: General Idea, FILE Megazine. Ed. Beatrix Ruf. Zurich: JRP Ringier, 2008. (AVAILABLE AT THE FINE ARTS LIBRARY) (Allen, 2011, p. 260)

Paper Issue 1 1981


PAPER
Auckland, July-December 1981
Roger Jarrett and Phillip Peacocke

Paper was an experimental magazine and established by Roger Jarrett and Philip Peacocke of Snake Studios fame. The publication only lasted three issues and consisted of page works or advertisements that are in themselves page works. While there is no explanatory text each page does include the name of the artist or designer who created the page. Artists who contributed works included Billy Apple, Paul Hartigan, Denys Watkins, and Dick Frizzell.

Strips no.17, 1981

STRIPS
Auckland, No.1 (1977) – No.23 (1987)
Scorpion Publications

Strips, one of New Zealand’s longest running comics was devoted to publishing art work and content related to the comic arts. It featured works by Colin Wilson, Terence Hogan, Joe Wylie and Dick Frizzell (Kinnaird, 2010)

Whitaker Street no.1 1979

WHITAKER STREET
Elam School of Fine Arts, Auckland, No.1 (1979) – No.4 (1979)

The Whitaker Street journal was created by the Elam Student Association during 1979.  Focusing on locally relevant topics as well as the broader issues of art education in New Zealand, Whitaker Streets print run lasted a total of four volumes. Not bad for a self published student magazine. A number of artists, students, lecturers and art historians contributed to this magazine including, Gavin Chilcott, Philippe Hamilton, Paul Barton, Mike Brookfield, Simon Emsley,  Phillip McKibbin, John Eaden, Alan Smith and Jeremy Treadwell. The complete set of this journal is also available in digital copy on The Bookshelf.

Whole Earth Catalog Spring 1970


WHOLE EARTH CATALOG
America, 1968-1972
Stewart Brand

“The Whole Earth Catalog, that great compendium of alternatives, became the vademecum of the late '60's; it included a full description of how it was produced as well as a cost breakdown plus encouragement to do-it-yourself. Since it included the address of everything described, it also represented the apotheosis of mail-order access. Information no farther away than the post office and the mail box." (Ewing and George Paton Galleries., Experimental Art Foundation (Adelaide S. Aust.), & Institute of Modern Art (Brisbane Qld.), 1978, p. 5)

New Zealand Whole Earth Catalogue Summer 1972

NEW ZEALAND WHOLE EARTH CATALOGUE (N.Z)
Auckland, 1972-1977 (no.1-no.3)

The New Zealand Whole Earth Catalogue was edited by Denis List, Alister Taylor, Tim Shadbold, Owen Wilkes and Alan Admore and was a variation of its American counterpart. “If you’ve seen the American Catalog, you’ll find this one differs in emphasis. We think they rely too much on cataloguing tools and books. We prefer to catalogue techniques.” ("Introduction," 1972, p. 2)


References:

  • Allen, G. (2011). Artists' magazines : an alternative space for art. Cambridge, Mass.: MIT Press.
  • Ewing and George Paton Galleries., Experimental Art Foundation (Adelaide S. Aust.), & Institute of Modern Art (Brisbane Qld.). (1978). Artists books, bookworks : this exhibition has been organised by the Ewing and George Paton Galleries, the Experimental Art Foundation, the Institute of Modern Art in conjunction with Laica California and Franklin Furnace New York. Melbourne: Ewing and George Paton Galleries.
  • Introduction. (1972). New Zealand whole earth catalogue, 2.
  • Kinnaird, A. (2010). NZ Comics Weekend in Review Part One: The Secret History of New Zealand Comics Retrieved from http://fromearthsend.blogspot.co.nz/2010/04/nz-comics-weekend-in-review-part-one.html

Victoria Passau
Fine Arts Library

Wednesday, April 04, 2012

Fine Arts Library new acquisitions

Bill Cunningham New York (2011)

The Fine Arts Library has just received a great selection of DVDs and sound recordings. They include the insightful and moving documentary Bill Cunnigham, New York , about The New York Times most beloved street fashion photographer and Ai Weiwei’s Fairytale which documents the project, of the same name, shown at Documenta 12 in 2007.

Ai, W., & Zuoxiao, Z. (2007). Fairytale [videorecording]. Paris: bdv.

Bennett, S., & Waiheke Community Art Gallery. (2011). Headland where nature meets sculpture : a documentary about Waiheke Island's Sculpture on the gulf [videorecording]. Auckland, N.Z.: Rongo Productions.

Björk, Barney, M., B, A., & Chernick, A. (2007). Matthew Barney no restraint [videorecording]. United States: IFC Films.

Chapman, J., Chapman, D., Eikmeyer, T., Knoefel, T., & Rummel, T. (2009). From hell to hell original recordings [sound recording]. Nürnberg: Verlag für Moderne Kunst.

Chelpa Ferro (Artistic Group), & Nader, C. (2009). Chelpa Ferro. Videobrasil cole*cão de autores = Videobrasil authors collection [videorecording]. Brazil: Associacao Cultural Videobrasil.

D'Cruz, J., Banksy, Ifans, R., Fairey, S., & Madman (Firm). (2010). Exit through the gift shop [videorecording]. Australia: Paranoid Pictures : Madman Entertainment.

Mirza, K., Butler, B., Cunningham, D., & Shrigley, G. (2003). 'Where a straight line meets a curve' [videorecording]. London: Filmarmalade.

Novaczek, R. (2006). Ruth Novaczek selected film/video 1990-2005 [videorecording]. Bisbee, AZ: David Sherman.

Preibsch, S. (2003). Late birds [videorecording]. England: Filmarmalade.

Press, R., Gefter, P., Denmark, R., & Brown, B. A. (2011). Bill Cunningham New York [videorecording]. New York: Zeitgeist Films.

Provost, M., Moreau, Y., & Tukur, U. (2009). Séraphine [videorecording]. N.Z.: Rialto distributor.

Rivers, B., Butler, J., Brocklehurst, J., Klein, Y., Helliwell, I., & Tobin, A. (2001). Hi-fi rise sonic cities from another timeline [videorecording]. S. l.: Semiconductor Films.

Shrigley, P., Harris, K., Liess, J., & Shrigley, G. (2007). Grese, West, Atkins, Hindley, Ruda & England An interview with Patricia Shrigley [videorecording]. United Kingdom: Marmalade Publishers of Visual Theory.

Please ask at the desk to view these items.

Victoria Passau

Fine Arts Library

Wednesday, March 28, 2012

Jill Kennedy: Eyes on the Moon

An exhibition by Jill Kennedy is on display at the Gus Fisher Gallery until the 28th of April. Kennedy, a Glasgow-born artist, utilises found images to create collage-like animations with a humorous edge. The Fine Arts Library holds two of her earlier video works entitled New Educational Series (Kennedy & Payne, 2010a) and One Minute Enlightenment (Kennedy & Payne, 2010b). These are on long-term loan from The University of Auckland Art Collection.

Eyes on the Moon (Jill Kennedy, 2012). Still

Eyes on the Moon
9 March 2012 to 28 April 2012
10am - 5 pm (Tuesday - Friday)
The Gus Fisher Gallery, The Kenneth Myers Centre, 74 Shortland St


 References:

Kennedy, J., & Payne, J. (2010a). Jill Kennedy new educational series, 2007-2009 [videorecording]. Auckland, N.Z.: Jill Kennedy.
Kennedy, J., & Payne, J. (2010b). Jill Kennedy one minute enlightenment [videorecording]. Auckland, N.Z.: Jill Kennedy.


Victoria Passau
Fine Arts Library

Tuesday, March 27, 2012

Titokowaru's dilemma

"Titokowaru's dilemma" (2011) cover image

The Fine Arts Library has just received Titokowaru's dilemma (2011) a catalogue accompanying the exhibition of the same name by Christchurch lithographer Marian Maguire. Titokowaru's dilemma is the third in a series exploring New Zealand history through the lens of Ancient Greek myths and legends.* Maguire's latest works pair the Māori prophet Riwha Titokowaru of Ngā Ruahine alongside Socrates.

The catalogue includes essays and poems by a number of respected authors including Jame Belich, Keri Hulme and our very own Distinguished Professor Dame Anne Salmond of the Department of Māori Studies and Professor Elizabeth Rankin of the Department of Art History.

Titokowaru's dilemma  (2011) will be on the Fine Arts Library's New Books display until early next week.


References:

* Maguire's previous lithographic series are entitled The Odyssey of Captain Cook" (2005) and The Labours of Herakles (2008).

Maguire, M., Rankin, E., Belich, J., Tiso, G., Salmond, A., & Hulme, K. (2011). Titokowaru's dilemma. Christchurch, N.Z.: PaperGraphica.

Victoria Passau
Fine Arts Library

Tuesday, March 13, 2012

E.H. McCormick Research Library: Complementing our collections

Staff and students of The University of Auckland are fortunate to have access to a suite of Libraries and Special Collections that focus on art and design scholarship, all within walking distance of the City Campus. They include The University of Auckland's Fine Arts and Architecture Libraries and the E. H. McCormick Research Library, part of the Auckland Art Gallery.  As argued by Ron Brownson, "It is probably true that no one could undertake research for a publication on either historical or contemporary New Zealand art without reference to one or all of these...collections" (1988 p.19).

Established in 1956, the E. H. McCormick Research Library has complimented the resources held within the Fine Arts Library for nearly 60 years. This reference only collection, situated on the Mezzanine Floor of the newly refurbished Auckland Art Gallery, is open to the public Monday to Saturday from 1-5pm. The collection includes a number of archives, over 3,500 artist’s files and a significant collection of books and exhibition catalogues that can be searched via their online catalogue.
For further information go to http://www.aucklandartgallery.com/library/about-the-library or you can email the Library at library@aucklandartgallery.govt.nz

Reference:

  • Brownson, R. (1988). Four colour and full glossy : How do we service art reference? ARLIS/ANZ News, 26, 19-22.


Victoria Passau
Fine Arts Library

Thursday, March 08, 2012

Paper-jams: artists between the covers (9 March-28 April)

In artists' books, text often has visual attributes that redirect the reader's attention away from the linguistic text to the visual text. Some texts border on illegibility. Yet illegibility, the Condition in which materiality overwhelms content, also signifies. Works that take self-reflexive materiality as their subject, such as altered books, challenge the conventions and ontology of the book...They can also be sculptural, pushing the boundary between the book and the work of art. Artists' books emphasize the differences between the conventional codex and their own interventions. Their self-reflexivity is split between their own real but unusual material forms and the idea of the conventional codex, constantly alluding to and exploring this difference. Artists' books exaggerate features of the codex, reflecting the materiality, technology and reading practices of the conventional book through their imaginative lens. (Strizever, 2010, pp.v-vi)

Paul Cullen: Models, Methods and Assumptions, books, pencils and paint, 2007, courtesy Jane Sanders Art Agent, photo: Sam Hartnett

Paper-jams: artists between the covers, curated by Andrew Clifford, opens at The Gus Fisher Gallery this Friday (9 March). The show, while "acknowledging the substantial history of text in art...looks sideways from that legacy to foreground those artists who address the page as a physical and political context rather than focusing on the content of the words contained within.” (Clifford and The Gus Fisher Gallery, 2012). Click here for further detail.

We are excited to announce that several artists' books from the Fine Arts Library's Artists' Book Collection are to be exhibited including works by Dan Arps, Peter Madden, Teri Moon and Fiona Jack (full list). The Fine Arts Library has also loaned three photographic prints by Allan McDonald. These works capture some of Christchurch's charity bookshops prior to the devastating earthquakes of 2010-2012.

Paper-jams: artists between the covers
9 March 2012 to 28 April 2012

THE GUS FISHER GALLERY
The Kenneth Myers Centre
74 Shortland St
Auckland CBD   
www.gusfishergallery.auckland.ac.nz


References:


Victoria Passau
Fine Arts Library

Thursday, March 01, 2012

Elam at Antarctica

Two photographic works by Megan Jenkinson and Joyce Campbell and a slideshow of Dr. Ruth Watson’s research are on display at the Elam School of Fine Arts. These were created by current Elam staff and capture the experience gained while visiting the Antarctic. Jenkinson (2005/06) and Campbell (2006/07) visited the continent as Antarctic Artists Fellows*, while Watson made the trip in December 2011 as a part of an Antarctic studies programme.

A selection of ephemera and publications, relating to Jenkinson, Campbell and Watson, are also on display in the Fine Arts Library.

*The Antarctic Artists Fellowship, running since the 1997/98 season, provides the opportunity for New Zealand artists to explore Antarctica through their artistic practice. A number of Elam Alumni have been Art Fellows including Nigel Brown (1997/98), Virginia King (1990/00), Anne Noble (2001/02), Phil Dadson (2002/03) and Jae Hoon Lee (2011/12).

Selective bibliography:

  • Brown, N. (2001). Southern convergence : Antarctic art (New ed.). Wellington, N.Z.: Pemmican Press.
  • Brown, N., Manhire, B., & Orsman, C. (1998). Homelight : an Antarctic miscellany. Karori, N.Z.: Pemmican Press.
  • Dadson, P., Clifford, A., & Gus Fisher Gallery. (2004). Philip Dadson : polar projects : 29 September - 13 November 2004. Auckland, N.Z.: Gus Fisher Gallery.
  • Jerram, S. (2007). Claims on beauty. NZ Journal of Photography (65), 8-20.
  • McNamara, T. J. (2009). Snapshots lifted to captivating images. New Zealand herald, B8.
  • Noble, A., Porter, G., & Wedde, I. (2011). Anne Noble : ice blink : an Antartic imaginary. Auckland, N.Z.: Clouds.
  • Were, V. (2008). Volatile imaginings. Art news, 28 (2), 72-75.

Victoria Passau

Fine Arts Library

Friday, February 17, 2012

"Fashion is Fun"

“Fashion has always existed in relation to art and has frequently been interpreted through the philosophical and conceptual tenets of art practices and theories. Artforms as diverse as history painting, sculpture, portrait painting, printmaking, sign painting and commercial art and photography have variously depicted, created and promulgated fashion” (McNeil, 2011).


To coincide with the international fashion calendar we have created a list of some of the Fine Arts Library’s most recent additions (and one not so recent addition) to our collection of fashion related publications.

Cover of Carine Roitfeld : Irreverent (Roitfeld, 2011)

Carine Roitfeld : Irreverent (Roitfeld, 2011)


Alexander Mcqueen : Savage Beauty (Bolton et al., 2011)


Chanel : The Vocabulary of Style (Gautier, 2011)


In Between (Bourdin & Verthime, 2010)


Marc Jacobs Advertising 1998-2009 (Teller & Jacobs, 2009)


Yohji Yamamoto (Salazar & Victoria and Albert Museum., 2011)


“You Should Have Been with Me" : A Photographic Scrapbook (Shaffer, 2010)

Cover of Fashion Is Fun (Stuttard & Bowes, 1967)
Fashion Is Fun (Stuttard & Bowes, 1967)


Interestingly a number of Elam alumni have been involved in the fashion world. During the 1940s and well into the 1960s Elam helped to train a number of department store display artists, fashion artists or illustrators and dress designers including Babs Radon and Clare Bowes (illustrator of Fashion is Fun). This was during a period in which the School taught calligraphy and design alongside the more traditional fine arts.

Fashion more recently played a role in Elam's 2011 end of year Undergraduate show with Jack Hadley and Michael Lee (3rd Year BFA students) creating a faux fashion line pauline (see image below). This show was on display in the Elam Library Foyer and at Snake Pit, an artist run gallery space.

Detail of 'pauline' by Jack Hadley and Michael Lee (Elam Library Foyer, 2011). Image reproduced with permission.

References

  • Bolton, A., McQueen, A., Frankel, S., Blanks, T., Sundsbø, S., & Metropolitan Museum of Art (New York N.Y.). (2011).
  • Alexander McQueen : savage beauty. New York; New Haven, Conn.: Metropolitan Museum of Art ; Distributed by Yale University Press.
  • Bourdin, G., & Verthime, S. (2010). In between (1st ed.). Göttingen: Steidl.
  • Gautier, J. (2011). Chanel : the vocabulary of style. London: Thames & Hudson.
  • McNeil, P. (2011). A line of beauty. Art & Australia, 48, 670-679.
  • Roitfeld, C. (2011). Carine Roitfeld : irreverent. New York; Enfield: Rizzoli ; Publishers Group UK distributor.
  • Salazar, L., & Victoria and Albert Museum. (2011). Yohji Yamamoto. London: V&A.
  • Shaffer, S. (2010). "You should have been with me" : a photographic scrapbook. Düsseldorf ; West Byfleet: teNeues.
  • Stuttard, M., & Bowes, C. (1967). Fashion is fun. Auckland: Blackwood & Janet Paul.
  • Teller, J., & Jacobs, M. (2009). Marc Jacobs advertising 1998-2009. Göttingen: Steidl.

Victoria Passau

Fine Arts Library