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Friday, June 14, 2013

The Revolution Has Been Televised

New Arrivals

How to Start a Revolution (2011). Dir: Ruaridh Arrow. Call Number: LD13-0531

Just Do It: A Tale of Modern-Day Outlaws (2011). Dir: Emily James. Call Number:  LD13-0533

Watch Trailer

How to Start a Revolution poster

Image: Courtesy of How to Start a Revolution

How to Start a Revolution celebrates the ideas and influence of Nobel Peace Prize nominee Dr. Gene Sharp, whose work on nonviolent revolution has provided popular uprisings all over the world with concrete methods to protest without resorting to violent means. Scottish director Ruaridh Arrow includes interviews with a number of people whose lives and struggles have been profoundly influenced by the work of Dr. Sharp, including Srdja Popovic, leader of the Serbian nonviolent resistance group Otpor! and Ahmed Maher, leader of April 6 Youth Movement from Egypt.

Released the day after the first Occupy protests on Wall Street in New York in September 2011, How to Start a Revolution became the unofficial film of the Occupy movement. The documentary highlights a number of the 198 methods of nonviolent protest described in Dr. Sharp’s The Politics of Nonviolent Action, including displays of flags and symbolic colours, consumer boycotts and mock elections and funerals. Described by the Huffington Post as “a vital conversation starter and educational tool for a world awash in violence" (Siegel, 2011), How to Start a Revolution serves as a timely and poignant reminder of the power of people to instigate change through nonviolent means.

Watch Trailer

Just Do It poster

Image: Courtesy of Left Field Films

Dr. Sharp’s ideas are put into practice in the documentary Just Do It: A Tale of Modern-Day Outlaws, which profiles with a number of individuals involved in nonviolent direct-action campaigns across the UK. Filmmaker Emily James spent a year tracking the activists involved with such campaigns, providing an inside eye into protest planning, coordination and execution. Amongst the climate change activists we meet are Marina, who believes in the transformative power of a good cup of tea, and Sally, a Cambridge University student who doesn't just read theories of civil disobedience but puts them into action. Just Do It has been described as a “smart, adrenalized portrait of 21st-century activism” (Leigh, 2011) and offers the promise that with a bit of planning and a commitment to the cause, change is possible.

References:

Leigh, Danny. (17 June 2011). The Best of Sheffield Doc/Fest 2011. Guardian.co.uk

Sharp, Gene. (1973). The Politics of Nonviolent Action. Boston, MA: Porter Sargent.

Siegel, Dan. (19 October 2011). Film Review: How to Start a Revolution. Huffington Post.

Alexis McCullough
Audiovisual Library/Arts Information Services

Tuesday, May 28, 2013

Fine Arts at AV

New Arrivals

Ai Weiwei: Never Sorry (2012)      Dir: Alison Klayman   Call Number: LD13-0233
The Artist is Present (2012)           Dir: Matthew Akers     Call Number: LD12-1020

Watch Trailer
film's poster image

Image: Courtesy of HBO Films

One of the most prominent performance artists of the last 40 years, Marina Abramovic has used her body in ways that challenges its boundaries.

Chinese dissident artist Ai Weiwei has garnered international attention as much for his ambitious artwork as his political provocations, which caused him to ‘disappear’, to be fined for tax evasion and to be imprisoned.

The Artist is Present takes place New York Museum of Modern Art as a major retrospective of Abramović's work takes place.  During the run of the exhibition, Abramović performed “The Artist is Present,” a 736-hour and 30-minute static, silent piece, in which she sat immobile in the museum's atrium, while spectators were invited to take turns sitting opposite her. If you don’t think a woman sitting on a chair could be an exciting watch, let The Artist is Present challenge you! The film is “an intelligent overview that makes a radical artist’s work comprehensible to audiences with no previous awareness of her or her chosen path” (Koehler, 2012).

Never Sorry chronicles two years of Weiwei’s life as he creates enormous artworks like Sunflower Seeds, which is made up of millions of hand-crafted porcelain seeds, and as he challenges China's repressive political system. “Watching"Ai Weiwei: Never Sorry"is like experiencing a thrilling unfinished symphony: The story is enthralling, but it's not over, and there's no telling where it's going. Which makes what we see on screen all the more involving” (Turan, 2012).

Watch Trailer

film's poster image
Image: Courtesy of Madman Entertainment

References:
Koehler, Robert. Review.  variety.com. 21 Jan. 2012.
Turan, Kenneth. Review. http://articles.latimes.com. 3 Aug. 2012.

Vulcan Demirkan-Martin
Audiovisual Library

 

 

Thursday, May 23, 2013

130th anniversary of The University of Auckland

 

av librray display image
Image of the AV Library Display at the General Library

The Audiovisual Library is one of the youngest libraries in the University. Originally, the Audiovisual Library opened in 1985 in the new Arts 1 Building. It was designed to provide a location to pool audiovisual resources from other libraries and several arts and commerce departments, which had intended to establish their own facilities in the new building.  

Roger Horrocks writes that until the early 1970s “the book was valued over all media. (The idea of teaching films alongside books would have been considered frivolous or subversive)” (4). However, as Horrocks argues, teaching film studies took off in the 70s, and attitudes finally started to change in the 80s (10). As several departments started using films as texts, the need arose to have a library that would be dedicated to such media.

The AV Library is home to students who use the Library for study purposes and staff for teaching and research purposes. It is also used by patrons whose personal interests lie in the film medium. The Library now houses DVDs and VHS required by the Arts, Science, and Business and Economics Faculties. The collection numbers tens of thousands of titles, some of which are difficult to locate elsewhere in New Zealand or internationally.

Reference
Horrocks, Roger. "Media Teaching in New Zealand: Sketching out a history." Medianz Conference. Auckland: University of Auckland, 2007. 1-27. Print.

Vulcan Demirkan-Martin
Audiovisual Library

Friday, May 17, 2013

Atypical Crime Drama

New Arrivals

Polisse (2011)      Dir: Maiwen     Call Number: LD12-1242

Watch Trailer
poster image of film

Image: Courtesy of Artificial Eye

“All the tears I shed were hard-earned. So were all the laughing and clapping and eye-covering” (Morris, 2012). 

Winner of the Jury Prize at 2011 Cannes film festival and nominated for 15 Cesar Awards in 2012, Polisse follows the daily lives of the members of Child Protection Unit and is based on real events.

Frequently referred to as Wire-like, the film is at the same time sad, funny, upsetting and charming.  An accomplished ensemble cast of French actors give incredible and naturalistic performances and the crime is unlike anything we see in conventional American crime movies and TV series: “Polisse  is so like those shows that it’s utterly unlike them. It’s raw where, say, “SVU” is slick. It’s personal where “CSI” is histrionically forensic. It’s funny where “NCIS” can be labored” (Morris, 2012). This is an exciting and rewarding watch.

Reference:
Morris, Wesley. Polisse.  www.boston.com. 25 May. 2012.

french poster for the film
Image: Courtesy of Artificial Eye

Vulcan Demirkan-Martin
Audiovisual Library


Friday, May 03, 2013

South Korean Epic


New Arrivals

Nameless Gangster (2012)     Dir: Yoon Jong-bin Call      Number: LD LD13-0059

Watch Trailer
poster image of the film

Image: Courtesy of Showbox

This is an engrossing story about quest for power and money. The film re-creates a recent historical milieu, the mid ’80s and the early ’90s, when gangs ran rampant during South Korea’s dictatorial era. In 1990, the new president Roh Tae-woo announces a crackdown on organized crime.

The film is powered by an enthusiastic performance from leading Korean actor Choi Min-sik  as Ik-hyun, a customs inspector  who climbs the underworld ladder to become a crime lord. “From the cars to the tailored power suits, the period detail can’t be faulted, lending a compelling authenticity to the filmmaker’s examination of the era’s questionable mores and political realities” (Lehmann, 2012). 
Anyone who loves gangster films and Scorsese will enjoy this engrossing South Korean epic.

Reference:
Lehmann, Megan. “Nameless Gangster: Rules of the Time: Film Review".  www.hollywoodreporter.com. 23 July. 2012.

alternative poster image
Image: Courtesy of Showbox
 

Vulcan Demirkan-Martin
Audiovisual Library

Friday, April 19, 2013

Eloquent Political Drama


New Arrivals

Rebellion (2011)  Dir: Mathieu Kassovitz    Call Number: LD13-0378

Watch trailer
Film's poster image

 Image: Courtesy of Mongrel Media

In 1988, 27 police were kidnapped and 4 killed by local separatists led by Alphonse Dianou in the French colony of New Caledonia. Counter-terrorism agent and skilled negotiator Philippe Legorjus (Kassovitz) is helicoptered in to negotiate peace.

The story is told mostly from Philippe’s limited perspective as he is helplessly trying to find a peaceful solution to the crisis; however, it is election time and Mitterand is forced to consider more aggressive options as Chirac challenges the socialist president.


“This is a vastly sensitive subject in France and New Caledonia. The French army refused to co-operate with the film, and shooting was relocated to remote islands in Tahiti, after Kassovitz failed to convince Kanak leaders and the families of the dead of his good intentions. They were never going to trust a white French filmmaker with this story, and why would they?” (Byrnes, 2012).

Maybe Kanak leaders were wrong. This a beautifully shot and eloquent political drama based on Legorjus’s book that exposes the political intrigue behind the scenes.

Reference:
Byrnes, Paul. "Directors aims high and hard to tackle French hostage drama". Sydney Morning Herald. 12 April, 2012.

original french poster
Image: Courtesy of Mongrel Media

Vulcan Demirkan-Martin
Audiovisual Library

Tuesday, April 09, 2013

Martial Arts Action-Comedy

New Arrivals

Tai Chi 0  (2012)  Dir: Stephen Fung  Call Number: LD13-0073

Watch trailer
film's poster image

Image: Courtesy of Well Go USA Entertainment


Since Stephen Chow’s films, martial arts action-comedy has never been so good!


Lu Chan has a horn-shaped birthmark on his head, called the “Three Blossoms of the Crown”. When smacked, this special birthmark activates Lu Chan’s super kung-fu powers. Lu Chan travels to Chen Village to learn the Chen Style tai chi and strengthen his inner self; unfortunately, the Chen Village locals don’t teach their style of kung-fu to outsiders. Lu Chan has to convince the villagers that he is worth it!


The first part of a duology, this excessively postmodernist film is loads of fun to watch. In cartoonish superficiality, onscreen graphics are used to describe fighting moves, to give extra information to the audience and to introduce every major actor with their career highlights. If you liked Scott Pilgrim vs. the World, you will definitely enjoy Tai Chi 0. 

 Vulcan Demirkan-Martin
Audiovisual Library

Monday, March 18, 2013

The Bronte Experience

New Arrivals

Jane Eyre (2011)   Dir: Cary Fukunaga     Call Number: LD12-0859

Watch trailer
film's  poster image

Image: Courtesy of Universal Pictures

Unarguably one of the better Jane Eyres onscreen,  Fukunaga’s film is one of the truest to the novel.  Fukunaga succeeds in bringing to light both the fine details of the novel and creating a Gothic atmosphere.

“Rather than Twilight-izing a classic tale (. . .) Fukunaga has made his Jane Eyre an intimate, thoughtful epic, anchored by strong lead performances and the gorgeous, moody 100-shades-of-gray cinematography of Adriano Goldman” (Longworth, 2011).


Central to this movie's power is Mia Wasikowska (Jane Eyre), who looks haunted at all times and is properly glum and unglamorous.  Fassbender may be seen as too handsome for Rochester, who is described in the book as decidedly unattractive, however, the crucial age gap and the tension between the two is sustained.

Reference:
Longworth, Karina. “A Masterful Jane Eyre Stresses Independence”.  www.villagevoice.com. 09 March. 2011.

image of the main character
Image: Courtesy of Universal Pictures

 

 Vulcan Demirkan-Martin
Audiovisual Library

Monday, March 11, 2013

A charming adventure

New Arrivals

The Fairy  (2012)     Dir: Dominique Abel     Call Number: LD12-1221

Watch trailer

The film's poster image

Image: Courtesy of Kino Lorber

When a mental patient (Fiona) rushes into a hotel and declares to the clerk (Dom) that she is a fairy, he doesn’t feel surprised. Fiona grants Dom three wishes and Dom chooses two: a scooter and a lifetime of free gasoline, but he is not much of a dreamer and can’t decide on a third wish. This starts a series of hilarious and absurdist adventures.

The Fairy is an homage to silent cinema with its nearly wordless slapstick routines. The actor-directors have been influenced by American silent film, Jacques Tati and Jerry lewis, but the film’s “appeal is rather in watching people who have devised their own original style of comic performance and have taken it to a rare level of refinement” (LaSalle, 2012).

Reference:
LaSalle, Mick. "Wish for Gentle Comedy? Granted" www.sfgate.com. 4 May. 2012.

Vulcan Demirkan-Martin
Audiovisual Library

Monday, March 04, 2013

AV Library Orientation

Come to the Audiovisual Library and join a 10 minutes tour!

When? Monday 4 March - Friday 8 March, 10:05am, 11:05am, 1:05pm, 2:05pm.

Where? Audiovisual Library, City Campus, Building 409, Ground Floor, Symonds Street 24.

Visit the AV Library's homepage for more information about hours, contacts, services and location.