<feed xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns="http://www.w3.org/2005/Atom" xml:lang="en-NZ">
    <title>Audiovisual Library</title>
    <link rel="self" type="application/xml" href="http://blogs.library.auckland.ac.nz/audiovisual/Atom.aspx" />
    <subtitle type="html">The University of Auckland Library</subtitle>
    <id>http://blogs.library.auckland.ac.nz/audiovisual/Default.aspx</id>
    <author>
        <name>Audiovisual Library</name>
        <uri>http://blogs.library.auckland.ac.nz/audiovisual/Default.aspx</uri>
    </author>
    <generator uri="http://subtextproject.com" version="Subtext Version 1.9.4.78">Subtext</generator>
    <updated>2013-05-17T16:16:42Z</updated>
    <entry>
        <title>Atypical Crime Drama</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/05/17/Atypical-Crime-Drama.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/05/17/Atypical-Crime-Drama.aspx</id>
        <published>2013-05-17T16:06:4012:00:00</published>
        <updated>2013-05-17T16:16:42Z</updated>
        <content type="html">&lt;p&gt;New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;font face="Arial"&gt;&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2299054&amp;amp;vid=UOA2_A"&gt;Polisse&lt;/a&gt; (2011)      Dir: Maiwen     Call Number: LD12-1242&lt;/font&gt;&lt;/p&gt;
&lt;h6&gt;&lt;a href="http://www.youtube.com/watch?v=PbXbO2iYxEA"&gt;Watch Trailer&lt;br /&gt;
&lt;img alt="poster image of film" width="401" height="301" src="/images/blogs_library_auckland_ac_nz/audiovisual/polisse.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Image: Courtesy of Artificial Eye&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;“All the tears I shed were hard-earned. So were all the laughing and clapping and eye-covering” (Morris, 2012).&lt;/font&gt; &lt;font face="Arial"&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;Winner of the Jury Prize at 2011 Cannes film festival and nominated for 15 Ceser Awards in 2012, Polisse follows the daily lives of the members of Child Protection Unit and is based on real events.&lt;br /&gt;
&lt;br /&gt;
Frequently referred to as &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/search.do?ct=facet&amp;amp;fctN=facet_library&amp;amp;fctV=AUVL&amp;amp;rfnGrp=1&amp;amp;rfnGrpCounter=1&amp;amp;dscnt=1&amp;amp;scp.scps=scope:(Standard_record),scope:(Combined_record)&amp;amp;frbg=&amp;amp;tab=search_library&amp;amp;srt=rank&amp;amp;ct=search&amp;amp;mode=Basic&amp;amp;dum=true&amp;amp;indx=1&amp;amp;tb=t&amp;amp;vl(freeText0)=The Wire&amp;amp;vid=UOA2_A&amp;amp;fn=search"&gt;Wire&lt;/a&gt;-like, the film is at the same time sad, funny, upsetting and charming.  An accomplished ensemble cast of French actors give incredible and naturalistic performances and the crime is unlike anything we see in conventional American crime movies and TV series: “Polisse  is so like those shows that it’s utterly unlike them. It’s raw where, say, “SVU” is slick. It’s personal where “CSI” is histrionically forensic. It’s funny where “NCIS” can be labored” (Morris, 2012). This is an exciting and rewarding watch.&lt;br /&gt;
&lt;br /&gt;
Reference:&lt;br /&gt;
Morris, Wesley. &lt;a href="http://www.boston.com/ae/movies/articles/2012/05/25/polisse_a_cop_thriller_with_a_special_electricity/?rss_id=Boston.com+--+Movie+news"&gt;Polisse&lt;/a&gt;.  www.boston.com. 25 May. 2012. &lt;/p&gt;
&lt;h6&gt;&lt;img alt="french poster for the film" width="244" height="332" src="/images/blogs_library_auckland_ac_nz/audiovisual/polisse1.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of Artificial Eye&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3281.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>South Korean Epic</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/05/03/South-Korean-Epic.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/05/03/South-Korean-Epic.aspx</id>
        <published>2013-05-03T13:34:0812:00:00</published>
        <updated>2013-05-03T13:37:12Z</updated>
        <content type="html">&lt;h6&gt;&lt;br /&gt;
New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2310771&amp;amp;vid=UOA2_A"&gt;Nameless Gangster&lt;/a&gt; (2012)     Dir: Yoon Jong-bin Call      Number: LD LD13-0059&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://vimeo.com/62264490"&gt;Watch Trailer&lt;br /&gt;
&lt;img alt="poster image of the film" width="325" height="379" src="/images/blogs_library_auckland_ac_nz/audiovisual/NAMELESS GANGSTER.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Image: Courtesy of Showbox&lt;/h6&gt;
&lt;font face="Arial"&gt;
&lt;p&gt;&lt;font face="Arial"&gt;This is an engrossing story about quest for power and money. The film re-creates a recent historical milieu, the mid ’80s and the early ’90s, when gangs ran rampant during South Korea’s dictatorial era. In 1990, the new president Roh Tae-woo announces a crackdown on organized crime.&lt;br /&gt;
&lt;br /&gt;
The film is powered by an enthusiastic performance from leading Korean actor &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/dlSearch.do?dscnt=1&amp;amp;onCampus=false&amp;amp;query=any,contains,Choi+Min-sik++&amp;amp;loc=local,scope:(Standard_record),scope:(Combined_record)&amp;amp;tab=search_library&amp;amp;lang=eng&amp;amp;mode=Basic&amp;amp;indx=1&amp;amp;bulkSize=20&amp;amp;vl(freeText0)=Choi+Min-sik++&amp;amp;group=guest&amp;amp;vid=UOA2_A&amp;amp;institution=UOA&amp;amp;fromLogin=true"&gt;Choi Min-sik&lt;/a&gt;  as Ik-hyun, a customs inspector  who climbs the underworld ladder to become a crime lord. “From the cars to the tailored power suits, the period detail can’t be faulted, lending a compelling authenticity to the filmmaker’s examination of the era’s questionable mores and political realities” (Lehmann, 2012). &lt;/font&gt;&lt;font face="Arial"&gt;Anyone who loves gangster films and Scorsese will enjoy this engrossing South Korean epic.&lt;br /&gt;
&lt;font face="Arial"&gt;&lt;br /&gt;
Reference:&lt;br /&gt;
Lehmann, Megan. “&lt;a href="http://www.hollywoodreporter.com/review/nameless-gangster-rules-time-choi-352992"&gt;Nameless Gangster: Rules of the Time: Film Review&lt;/a&gt;".  www.hollywoodreporter.com. 23 July. 2012. &lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;/font&gt;
&lt;h6&gt;&lt;img alt="alternative poster image" width="298" height="263" src="/images/blogs_library_auckland_ac_nz/audiovisual/nameless.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of Showbox&lt;br /&gt;
 &lt;/h6&gt;
&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;/font&gt;&lt;/font&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3257.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>Eloquent Political Drama</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/04/19/Eloquent-Political-Drama.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/04/19/Eloquent-Political-Drama.aspx</id>
        <published>2013-04-19T09:52:3812:00:00</published>
        <updated>2013-04-19T09:53:09Z</updated>
        <content type="html">&lt;p&gt;&lt;br /&gt;
New Arrivals&lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2321636&amp;amp;vid=UOA2_A"&gt;Rebellion&lt;/a&gt; (2011)  Dir: Mathieu Kassovitz    Call Number: LD13-0378&lt;/font&gt;&lt;/p&gt;
&lt;h6&gt;&lt;a href="http://www.youtube.com/watch?v=b2PvnpVfYD8 "&gt;Watch trailer&lt;br /&gt;
&lt;img alt="Film's poster image" width="405" height="193" src="/images/blogs_library_auckland_ac_nz/audiovisual/rebelli.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
 Image: Courtesy of Mongrel Media&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;In 1988, 27 police were kidnapped and 4 killed by local separatists led by Alphonse Dianou in the French colony of New Caledonia. Counter-terrorism agent and skilled negotiator Philippe Legorjus (Kassovitz) is helicoptered in to negotiate peace.&lt;/font&gt; &lt;/p&gt;
&lt;p&gt;The story is told mostly from Philippe’s limited perspective as he is helplessly trying to find a peaceful solution to the crisis; however, it is election time and Mitterand is forced to consider more aggressive options as Chirac challenges the socialist president.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
“This is a vastly sensitive subject in France and New Caledonia. The French army refused to co-operate with the film, and shooting was relocated to remote islands in Tahiti, after Kassovitz failed to convince Kanak leaders and the families of the dead of his good intentions. They were never going to trust a white French filmmaker with this story, and why would they?” (Byrnes, 2012).&lt;/p&gt;
&lt;p&gt;Maybe Kanak leaders were wrong. This a beautifully shot and eloquent political drama based on Legorjus’s book that exposes the political intrigue behind the scenes.&lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;Reference:&lt;br /&gt;
Byrnes, Paul. "&lt;a href="http://www.smh.com.au/entertainment/movies/director-aims-high-and-hard-to-tackle-french-hostage-drama-20120411-1ws30.html"&gt;Directors aims high and hard to tackle French hostage drama&lt;/a&gt;". Sydney Morning Herald. 12 April, 2012.&lt;/p&gt;
&lt;h6&gt;&lt;img alt="original french poster" width="200" height="268" src="/images/blogs_library_auckland_ac_nz/audiovisual/rebel.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of Mongrel Media&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3238.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>Martial Arts Action-Comedy </title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/04/09/Martial-Arts-Action-Comedy.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/04/09/Martial-Arts-Action-Comedy.aspx</id>
        <published>2013-04-09T09:23:5912:00:00</published>
        <updated>2013-04-09T09:26:30Z</updated>
        <content type="html">&lt;h6&gt;New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2321401&amp;amp;vid=UOA2_A"&gt;Tai Chi 0 &lt;/a&gt; (2012)  Dir: Stephen Fung  Call Number: LD13-0073&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/watch?v=je0ZXkBwUdg"&gt;Watch trailer&lt;br /&gt;
&lt;img alt="film's poster image" width="397" height="317" src="/images/blogs_library_auckland_ac_nz/audiovisual/tai chi.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Image: Courtesy of Well Go USA Entertainment&lt;/h6&gt;
&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;
&lt;p&gt;&lt;br /&gt;
Since &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/search.do?ct=facet&amp;amp;fctN=facet_library&amp;amp;fctV=AUVL&amp;amp;rfnGrp=1&amp;amp;rfnGrpCounter=1&amp;amp;dscnt=1&amp;amp;scp.scps=scope:(Standard_record),scope:(Combined_record)&amp;amp;frbg=&amp;amp;tab=search_library&amp;amp;srt=rank&amp;amp;ct=search&amp;amp;mode=Basic&amp;amp;dum=true&amp;amp;indx=1&amp;amp;tb=t&amp;amp;vl(freeText0)=Zhou,%20Xingchi,%201962-%20&amp;amp;vid=UOA2_A&amp;amp;fn=search"&gt;Stephen Chow&lt;/a&gt;’s films, martial arts action-comedy has never been so good! &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
Lu Chan has a horn-shaped birthmark on his head, called the “Three Blossoms of the Crown”. When smacked, this special birthmark activates Lu Chan’s super kung-fu powers. Lu Chan travels to Chen Village to learn the Chen Style tai chi and strengthen his inner self; unfortunately, the Chen Village locals don’t teach their style of kung-fu to outsiders. Lu Chan has to convince the villagers that he is worth it! &lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
The first part of a duology, this excessively postmodernist film is loads of fun to watch. In cartoonish superficiality, onscreen graphics are used to describe fighting moves, to give extra information to the audience and to introduce every major actor with their career highlights. If you liked Scott Pilgrim vs. the World, you will definitely enjoy Tai Chi 0. &lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt; &lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
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&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;/font&gt;&lt;/font&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3221.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>The Bronte Experience</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/18/The-Bronte-Experience.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/18/The-Bronte-Experience.aspx</id>
        <published>2013-03-18T14:30:4012:00:00</published>
        <updated>2013-03-19T13:18:54Z</updated>
        <content type="html">&lt;p&gt;&lt;font face="Arial"&gt;New Arrivals&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2280576&amp;amp;vid=UOA2_A"&gt;Jane Eyre&lt;/a&gt; (2011)   Dir: Cary Fukunaga     Call Number: LD12-0859&lt;/p&gt;
&lt;h6&gt;&lt;a href="http://www.youtube.com/watch?v=Dz2zYFZJDDg"&gt;Watch trailer&lt;br /&gt;
&lt;img alt="film's  poster image" width="273" height="404" src="/images/blogs_library_auckland_ac_nz/audiovisual/Jane-Eyre-2011-.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Image: Courtesy of Universal Pictures&lt;font face="Arial"&gt;&lt;/font&gt;&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Unarguably one of the better Jane Eyres onscreen,  Fukunaga’s film is one of the truest to the novel.  Fukunaga succeeds in bringing to light both the fine details of the novel and creating a Gothic atmosphere. &lt;br /&gt;
&lt;br /&gt;
“Rather than Twilight-izing a classic tale (. . .) Fukunaga has made his Jane Eyre an intimate, thoughtful epic, anchored by strong lead performances and the gorgeous, moody 100-shades-of-gray cinematography of Adriano Goldman” (Longworth, 2011).&lt;/font&gt;&lt;font face="Arial"&gt;&lt;br /&gt;
&lt;br /&gt;
Central to this movie's power is Mia Wasikowska (Jane Eyre), who looks haunted at all times and is properly glum and unglamorous.  Fassbender may be seen as too handsome for Rochester, who is described in the book as decidedly unattractive, however, the crucial age gap and the tension between the two is sustained.&lt;br /&gt;
&lt;/font&gt;&lt;font face="Arial"&gt;&lt;br /&gt;
Reference:&lt;br /&gt;
Longworth, Karina. “&lt;a href="http://www.villagevoice.com/2011-03-09/film/a-masterful-jane-eyre-stresses-independence/"&gt;A Masterful Jane Eyre Stresses Independence&lt;/a&gt;”.  www.villagevoice.com. 09 March. 2011. &lt;/font&gt;&lt;/p&gt;
&lt;h6&gt;&lt;img alt="image of the main character" width="202" height="353" src="/images/blogs_library_auckland_ac_nz/audiovisual/jane-eyre-wallpaper-2011.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of Universal Pictures&lt;/h6&gt;
&lt;font face="Arial"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/font&gt; &lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;/font&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3194.aspx" width="1" height="1" /&gt;</content>
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    <entry>
        <title>A charming adventure</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/11/A-charmign-adventure.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/11/A-charmign-adventure.aspx</id>
        <published>2013-03-11T14:02:2313:00:00</published>
        <updated>2013-03-11T14:02:33Z</updated>
        <content type="html">&lt;p&gt;New Arrivals&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2292725&amp;amp;vid=UOA2_A"&gt;The Fairy&lt;/a&gt;  (2012)     Dir: Dominique Abel     Call Number: LD12-1221&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=F0pTnBc7tFQ"&gt;Watch trailer&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=F0pTnBc7tFQ"&gt;&lt;img alt="The film's poster image" width="403" height="302" src="/images/blogs_library_auckland_ac_nz/audiovisual/The-Fairy-Movie-.jpg" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h6&gt;Image: Courtesy of Kino Lorber&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;When a mental patient (Fiona) rushes into a hotel and declares to the clerk (Dom) that she is a fairy, he doesn’t feel surprised. Fiona grants Dom three wishes and Dom chooses two: a scooter and a lifetime of free gasoline, but he is not much of a dreamer and can’t decide on a third wish. This starts a series of hilarious and absurdist adventures. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;The Fairy is an homage to silent cinema with its nearly wordless slapstick routines. The actor-directors have been influenced by American silent film, Jacques Tati and Jerry lewis, but the film’s “appeal is rather in watching people who have devised their own original style of comic performance and have taken it to a rare level of refinement” (LaSalle, 2012).&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Reference:&lt;br /&gt;
LaSalle, Mick. "&lt;a href="http://www.sfgate.com/movies/article/The-Fairy-review-Wish-for-gentle-comedy-3533038.php#ixzz2NBbTGcmE"&gt;Wish for Gentle Comedy? Granted&lt;/a&gt;" www.sfgate.com. 4 May. 2012.&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3188.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>AV Library Orientation</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/04/AV-Library-Orientation.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2013/03/04/AV-Library-Orientation.aspx</id>
        <published>2013-03-04T09:28:5213:00:00</published>
        <updated>2013-03-04T09:33:48Z</updated>
        <content type="html">&lt;p&gt;&lt;img alt="" width="395" height="411" src="/images/blogs_library_auckland_ac_nz/audiovisual/AVOrientation.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Come to the Audiovisual Library and join a 10 minutes tour!&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;When? Monday 4 March - Friday 8 March, 10:05am, 11:05am, 1:05pm, 2:05pm.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Where? Audiovisual Library, City Campus, Building 409, Ground Floor, Symonds Street 24.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Visit the AV Library's &lt;a href="http://www.library.auckland.ac.nz/about-us/libraries/audiovisual"&gt;homepage&lt;/a&gt; for more information about hours, contacts, services and location.&lt;/font&gt;&lt;/p&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3177.aspx" width="1" height="1" /&gt;</content>
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    </entry>
    <entry>
        <title>"A daughter is always a burden"</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/12/07/A-daughter-is-always-a-burden.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/12/07/A-daughter-is-always-a-burden.aspx</id>
        <published>2012-12-07T11:21:4213:00:00</published>
        <updated>2012-12-07T12:08:42Z</updated>
        <content type="html">&lt;p&gt;New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?frbrVersion=2&amp;amp;tabs=detailsTab&amp;amp;ct=display&amp;amp;fn=search&amp;amp;doc=uoa_voyager2290880&amp;amp;indx=2&amp;amp;recIds=uoa_voyager2290880&amp;amp;recIdxs=1&amp;amp;elementId=1&amp;amp;renderMode=poppedOut&amp;amp;displayMode=full&amp;amp;frbrVersion=2&amp;amp;dscnt=1&amp;amp;onCampus=false&amp;amp;query=any%2Ccontains%2Cbandit+queen&amp;amp;scp.scps=scope%3A%28Standard_record%29%2Cscope%3A%28Combined_record%29&amp;amp;tab=search_library&amp;amp;loc=local%2Cscope%3A%28Standard_record%29%2Cscope%3A%28Combined_record%29&amp;amp;dstmp=1354832622803&amp;amp;lang=eng&amp;amp;mode=Basic&amp;amp;fromLogin=true&amp;amp;bulkSize=20&amp;amp;vl%2878265423UI0%29=any&amp;amp;vl%28freeText0%29=bandit+queen&amp;amp;group=guest&amp;amp;vid=UOA2_A&amp;amp;institution=UOA"&gt;Bandit Queen&lt;/a&gt;     Director: Shekhar Kapur (1994)       Call Number: DVD-V LD12-0988&lt;br /&gt;
&lt;br /&gt;
&lt;img alt="Film's poster image" width="291" height="402" src="/images/blogs_library_auckland_ac_nz/audiovisual/BanditQueenPoster.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of  Umbrella Entertainment&lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Bandit Queen is not very Christmas-like nor it is for the faint-hearted. The film is loosely based on the life of Phoolan Devi, a bandit, and later a politician. &lt;br /&gt;
&lt;br /&gt;
After a life of abuse and rape, Phoolan Devi leads a band of latter-day Robin Hoods. By the time she was arrested in 1983, Devi had already  become a folk legend and dolls of her dressed as a Hindu goddess were sold in markets. When the Bandit Queen finally surrenders, it's on her terms and  before a cheering crowd of thousands. &lt;br /&gt;
&lt;br /&gt;
In 1994, the movie was banned in India. The &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/search.do?dscnt=0&amp;amp;scp.scps=scope%3A%28Standard_record%29%2Cscope%3A%28Combined_record%29&amp;amp;frbg=&amp;amp;tab=search_library&amp;amp;dstmp=1354832773440&amp;amp;srt=rank&amp;amp;ct=search&amp;amp;mode=Basic&amp;amp;dum=true&amp;amp;indx=1&amp;amp;tb=t&amp;amp;vl%28freeText0%29=Shekhar+Kapur&amp;amp;fn=search&amp;amp;vid=UOA2_A"&gt;director&lt;/a&gt; believes the reason for the ban was the film's accurate depiction of the caste system of Indian society and its sexism. &lt;br /&gt;
&lt;br /&gt;
See also: &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/search.do?dscnt=0&amp;amp;scp.scps=scope%3A%28Standard_record%29%2Cscope%3A%28Combined_record%29&amp;amp;frbg=&amp;amp;tab=search_library&amp;amp;dstmp=1354832819529&amp;amp;srt=rank&amp;amp;ct=search&amp;amp;mode=Basic&amp;amp;dum=true&amp;amp;indx=1&amp;amp;tb=t&amp;amp;vl%28freeText0%29=+Arundhati+Roy&amp;amp;fn=search&amp;amp;vid=UOA2_A"&gt;Arundhati Roy&lt;/a&gt;’s &lt;a href="http://www.sawnet.org/books/writing/roy_bq1.html"&gt;essay&lt;/a&gt; on the film.&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;img alt="film's poster from India" width="299" height="368" src="/images/blogs_library_auckland_ac_nz/audiovisual/Bandit Queen_1994_film_poster.jpg" /&gt;&lt;br /&gt;
Image: Courtesy of  Umbrella Entertainment&lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3075.aspx" width="1" height="1" /&gt;</content>
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    <entry>
        <title>Style and Substance</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/11/16/Style-and-Substance.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/11/16/Style-and-Substance.aspx</id>
        <published>2012-11-16T14:10:2213:00:00</published>
        <updated>2012-11-16T14:12:32Z</updated>
        <content type="html">New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;h6&gt;&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2254132&amp;amp;vid=UOA2_A"&gt;Hugo&lt;/a&gt;      Director: Martin Scorsese (2011)       Call Number: DVD-V LD12-0938&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/watch?v=hR-kP-olcpM"&gt;Watch Trailer&lt;/a&gt;&lt;br /&gt;
&lt;img alt="film's poster image" width="308" height="398" src="/images/blogs_library_auckland_ac_nz/audiovisual/Hugo-Poster.jpg" /&gt;&lt;br /&gt;
Image: Paramount Pictures&lt;/h6&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Based on Brian Selznick's award-winning best-seller, “The Invention of Hugo Cabret”, Hugo tells the story of an orphan who lives in the walls of a train station and tries to solve a mystery involving his late father.&lt;br /&gt;
&lt;br /&gt;
Martin Scorsese’s first foray into big-budget family filmmaking turns out to be quite a personal one.  As one of the major characters turns out to be the director Georges Melies, most famous for &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager1162393&amp;amp;vid=UOA2_A"&gt;A Trip to the Moon&lt;/a&gt;, Scorcese touches on themes like the birth of cinema, and its preservation: “ For a lay audience, the result is a haunting, piquant melodrama about childhood dreams and yearnings, &lt;font face="Arial"&gt;enhanced with a pleasant survey course in early film history” (&lt;font face="Arial"&gt;Schwarzbaum, 2011). &lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;font face="Arial"&gt;
&lt;p&gt;&lt;br /&gt;
Reference:&lt;br /&gt;
&lt;font face="Arial"&gt;Schwarzbaum, Lisa. "&lt;a href="http://www.ew.com/ew/article/0,,20483133_20518611,00.html"&gt;Hugo&lt;/a&gt;". Entertainment Weekly. 30 Nov. 2011. &lt;br /&gt;
&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;/font&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3047.aspx" width="1" height="1" /&gt;</content>
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    <entry>
        <title>Work in Progress</title>
        <link rel="self" type="text/html" href="http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/10/26/Work-in-Progress.aspx" />
        <id>http://blogs.library.auckland.ac.nz/audiovisual/archive/2012/10/26/Work-in-Progress.aspx</id>
        <published>2012-10-26T10:55:4313:00:00</published>
        <updated>2012-10-26T10:59:16Z</updated>
        <content type="html">&lt;h6&gt;New Arrivals&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager2273819&amp;amp;vid=UOA2_A"&gt;Margaret  &lt;/a&gt;         Director: Kenneth Lonergan (2011)       Call Number: DVD-V LD12-0827&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/watch?v=DYxDZAvKDLE"&gt;Watch Trailer&lt;br /&gt;
&lt;img alt="film's poster image" width="323" height="402" src="/images/blogs_library_auckland_ac_nz/audiovisual/margaret-poster.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Image: Courtesy of Twentieth Century Fox Home Entertainment&lt;/h6&gt;
&lt;font face="Arial"&gt;
&lt;p&gt;&lt;br /&gt;
Margaret centers on a 17-year-old New York City high-school student (Lisa) who witnesses and inadvertently causes a bus accident that leaves a woman dead in her arms. In a futile effort to put things right, and with the help of the victim’s best friend, Lisa helps to file a wrongful-death suit.&lt;/p&gt;
&lt;p&gt;Margaret “reflects its adolescent subject with striking accuracy. It can be frustrating and self-important, clumsy and naive. But it's also passionate, curious and filled with insight, so unafraid in its ambitions that even the flaws are interesting. Every bold vision requires respect; a few deserve celebration. This is one of them, imperfections and all” (Weitzman, 2011).&lt;br /&gt;
&lt;br /&gt;
The film is most famous for its post-production hell: the 3-hour film was shot  in 2005; however, &lt;a href="http://librarysearch.auckland.ac.nz/primo_library/libweb/action/display.do?fn=search&amp;amp;doc=uoa_voyager1765100&amp;amp;vid=UOA2_A"&gt;You Can Count on Me’s&lt;/a&gt; Lonergan was contractually obligated to deliver a 150-minute cut. After many lawsuits, Lonergan was fired and his friend and collaborator Martin Scorsese edited the 150-minute cut. AV Library holds the complete director’s cut, which still feels like a work in progress. Nevertheless, Margaret is some kind of masterpiece that was worth the wait.&lt;br /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;Reference:&lt;br /&gt;
Weitzman, Elizabeth. “'Marga&lt;a href="http://articles.nydailynews.com/2011-09-30/entertainment/30244704_1_bus-accident-bus-driver-mark-ruffalo"&gt;ret' review: Anna Paquin film years in the making is worth the wait&lt;/a&gt;”.  www.nydailytimes.com. 30 Sep. 2011. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Arial"&gt;&lt;font face="Arial"&gt;Vulcan Demirkan-Martin&lt;br /&gt;
&lt;strong&gt;Audiovisual Library&lt;/strong&gt;&lt;br /&gt;
&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;/font&gt;&lt;img src="http://blogs.library.auckland.ac.nz/audiovisual/aggbug/3013.aspx" width="1" height="1" /&gt;</content>
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